Assembly is assembled entirely for home use. This assembly is assembled for most beginners. There are all necessary software.

Assembly is assembled entirely for home use. This assembly is assembled for most beginners. There are all necessary software.

The 60s were a very productive time for Junior Wells, but if any Wells album deserves to be exalted as his most triumphant recording of the 60s, it is Hoodoo Man Blues. This superb 1965 session is not only widely regarded as one of Wells finest achievements. It isnt hard to see why Hoodoo Man Blues is held in such high regard; joined by Buddy Guy on guitar, Jack Myers on bass, and Billy Warren on drums, Wells soars as both a singer and a harmonica player. This is the same working group that Wells had been leading at Theresas on Chicagos West Side, and Koester (who produced the album) vividly captures the type of grit that Wells brought to the stage. This is a studio recording, but when Wells and his colleagues dig into "Good Morning, Schoolgirl," "Yonder Wall," or "Were Ready," they sound as raw, gutsy, and uninhibited as one would expect them to sound in a club setting. And while Guy leaves the singing to Wells, he really shines on guitar. Guy, it should be noted, was listed as "Friendly Chap" on Delmarks original LP version of Hoodoo Man Blues; Delmark thought Guy was under contract to Chess, and so, they gave him a pseudonym. But by the early 70s, Guys real name was being listed on pressings of this classic album. And make no mistake: Hoodoo Man Blues is a classic. This is essential listening for lovers of electric Chicago blues.

The '60s were a very productive time for Junior Wells, but if any Wells album deserves to be exalted as his most triumphant recording of the '60s, it is Hoodoo Man Blues. This superb 1965 session is not only widely regarded as one of Wells' finest achievements. It isn't hard to see why Hoodoo Man Blues is held in such high regard; joined by Buddy Guy on guitar, Jack Myers on bass, and Billy Warren on drums, Wells soars as both a singer and a harmonica player. This is the same working group that Wells had been leading at Theresa's on Chicago's West Side, and Koester (who produced the album) vividly captures the type of grit that Wells brought to the stage. This is a studio recording, but when Wells and his colleagues dig into "Good Morning, Schoolgirl," "Yonder Wall," or "We're Ready," they sound as raw, gutsy, and uninhibited as one would expect them to sound in a club setting. And while Guy leaves the singing to Wells, he really shines on guitar. Guy, it should be noted, was listed as "Friendly Chap" on Delmark's original LP version of Hoodoo Man Blues; Delmark thought Guy was under contract to Chess, and so, they gave him a pseudonym. But by the early '70s, Guy's real name was being listed on pressings of this classic album. And make no mistake: Hoodoo Man Blues is a classic. This is essential listening for lovers of electric Chicago blues.

The '60s were a very productive time for Junior Wells, but if any Wells album deserves to be exalted as his most triumphant recording of the '60s, it is Hoodoo Man Blues. This superb 1965 session is not only widely regarded as one of Wells' finest achievements. It isn't hard to see why Hoodoo Man Blues is held in such high regard; joined by Buddy Guy on guitar, Jack Myers on bass, and Billy Warren on drums, Wells soars as both a singer and a harmonica player. This is the same working group that Wells had been leading at Theresa's on Chicago's West Side, and Koester (who produced the album) vividly captures the type of grit that Wells brought to the stage. This is a studio recording, but when Wells and his colleagues dig into "Good Morning, Schoolgirl," "Yonder Wall," or "We're Ready," they sound as raw, gutsy, and uninhibited as one would expect them to sound in a club setting. And while Guy leaves the singing to Wells, he really shines on guitar. Guy, it should be noted, was listed as "Friendly Chap" on Delmark's original LP version of Hoodoo Man Blues; Delmark thought Guy was under contract to Chess, and so, they gave him a pseudonym. But by the early '70s, Guy's real name was being listed on pressings of this classic album. And make no mistake: Hoodoo Man Blues is a classic. This is essential listening for lovers of electric Chicago blues.

The '60s were a very productive time for Junior Wells, but if any Wells album deserves to be exalted as his most triumphant recording of the '60s, it is Hoodoo Man Blues. This superb 1965 session is not only widely regarded as one of Wells' finest achievements. It isn't hard to see why Hoodoo Man Blues is held in such high regard; joined by Buddy Guy on guitar, Jack Myers on bass, and Billy Warren on drums, Wells soars as both a singer and a harmonica player. This is the same working group that Wells had been leading at Theresa's on Chicago's West Side, and Koester (who produced the album) vividly captures the type of grit that Wells brought to the stage. This is a studio recording, but when Wells and his colleagues dig into "Good Morning, Schoolgirl," "Yonder Wall," or "We're Ready," they sound as raw, gutsy, and uninhibited as one would expect them to sound in a club setting. And while Guy leaves the singing to Wells, he really shines on guitar. Guy, it should be noted, was listed as "Friendly Chap" on Delmark's original LP version of Hoodoo Man Blues; Delmark thought Guy was under contract to Chess, and so, they gave him a pseudonym. But by the early '70s, Guy's real name was being listed on pressings of this classic album. And make no mistake: Hoodoo Man Blues is a classic. This is essential listening for lovers of electric Chicago blues.