In this class, the art direction process for motion graphics in a feature film production pipeline is revealed. Motion Graphics Art Director for James Cameron's Avatar, Neil Huxley, takes a step-by-step guide from creative brief, conceptualization and design in Illustrator and Photoshop through to animation in After Effects.Some of the topics that will be covered include: creating a workflow that allows for creative freedom and clear communication, quick iterations for client approvals, creating a graphics bible, and setting up clean After Effects comps which allow for client feedback revisions. This masterclass will take you through every step of the art direction process.

From the magical films of the silent era to the celebrated work of director David Lean and high definition television, this documentary revisits films and interviews from the archive to answer the question of why Dickens's novels have inspired so many hundreds of adaptations on screen. This co-production with Dickens 2012 not only encapsulates the history of Dickens's time, but also of the 100 years in which his work has survived most acutely on screen. It is not only the stories, themes and characters of Dickens's writing that translate so well onto screen - Sergei Eisenstein argued that there is something essentially filmic in his unique prose style; that Dickens's rapid 'cutting' within scenes and from scene to scene coupled with his seamless mixture of the bizarrely comic with the terrifyingly profound was itself proto-cinematic. Dickens wrote the way a camera saw before film had been invented and he remains to this day the most cinematic of writers.

Rita Ray, your mother and world famous film star, has disappeared! Her last known location: The island studio of former film director M.W. Vernon.

From the magical films of the silent era to the celebrated work of director David Lean and high definition television, this documentary revisits films and interviews from the archive to answer the question of why Dickens's novels have inspired so many hundreds of adaptations on screen. This co-production with Dickens 2012 not only encapsulates the history of Dickens's time, but also of the 100 years in which his work has survived most acutely on screen. It is not only the stories, themes and characters of Dickens's writing that translate so well onto screen - Sergei Eisenstein argued that there is something essentially filmic in his unique prose style; that Dickens's rapid 'cutting' within scenes and from scene to scene coupled with his seamless mixture of the bizarrely comic with the terrifyingly profound was itself proto-cinematic. Dickens wrote the way a camera saw before film had been invented and he remains to this day the most cinematic of writers.