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Date: 26 May 2012 | Author: golemsonbi | Views: 30    
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Henry Hitchings "The Language Wars: A History of Proper English"
ISBN: 1848542089, 0374183295, 1848542097 | 2011 | PDF, EPUB, MOBI | 416 pages | 2 + 0,5 + 0,7 MB


The English language is a battlefield. Since the age of Shakespeare, arguments over correct usage have been acrimonious, and those involved have always really been contesting values - to do with morality, politics and class. THE LANGUAGE WARS examines the present state of the conflict, its history and its future. Above all, it uses the past as a way of illuminating the present. Moving chronologically, the book explores the most persistent issues to do with English and unpacks the history of 'proper' usage. Where did these ideas spring from? Which of today's bugbears and annoyances are actually venerable? Who has been on the front line in the language wars? THE LANGUAGE WARS examines grammar rules, regional accents, swearing, spelling, dictionaries, political correctness, and the role of electronic media in reshaping language. It also takes a look at such niggling concerns as the split infinitive, elocution and text messaging. Peopled with intriguing characters such as Jonathan Swift, H. W. Fowler and George Orwell as well as the more disparate figures of Lewis Carroll, Buffy the Vampire Slayer and Lenny Bruce, THE LANGUAGE WARS is an essential volume for anyone interested in the state of the English language today or intrigued about its future.
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Date: 20 May 2012 | Author: golemsonbi | Views: 27    
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Barbara Dancygier - The Language of Stories: A Cognitive Approach
Published: 2011-11-28 | ISBN: 1107005825 | PDF | 240 pages | 3.72 MB


How do we read stories? How do they engage our minds and create meaning? Are they a mental construct, a linguistic one or a cultural one? What is the difference between real stories and fictional ones? This book addresses such questions by describing the conceptual and linguistic underpinnings of narrative interpretation. Barbara Dancygier discusses literary texts as linguistic artifacts, describing the processes which drive the emergence of literary meaning. If a text means something to someone, she argues, there have to be linguistic phenomena that make it possible. Drawing on blending theory and construction grammar, the book focuses its linguistic lens on the concepts of the narrator and the story, and defines narrative viewpoint in a new way. The examples come from a wide spectrum of texts, primarily novels and drama, by authors such as William Shakespeare, Margaret Atwood, Philip Roth, Dave Eggers, Jan Potocki and Mikhail Bulgakov.